This mimics the on-board vibrato-chorus effect that came with the most popular models (B3/C3). This was actually a flaw in real Hammonds-an artifact of dirty contact switches-but players liked the extra clarity it gave to the attacks of the notes, so no Hammond simulation worth its salt would be without it now! In this particular simulation, I feel that settings above about halfway (50%) are a bit too pronounced, but that will also depend on the current drawbar settings. The Key Click knob lets you add in a mechanical click at the beginning of each note. Not all Hammond simulations recreate this particular quirk, which is very important to any performer who utilizes the Percussion effect, so it's good that it's been implemented properly here. After that, if any notes or chords are held, no more Percussion tones will sound until all notes are released, and then, again, you'll get the tone only on the first new note played, etc. On the original, the Percussion effect is monophonic-there is only one Percussion tone generator, and it will only sound on the first note played. The Percussion tone is pitched, selectable as either 2nd or 3rd Harmonic. The DB-33 Percussion controls & Key Click.Īs on the original, you can choose a louder or softer percussion tone, and a slightly shorter or longer time. The buttons switch between the interfaces for the organ and Leslie cabinet, and the readout shows the value of the control currently being adjusted. On the bottom of the plug-in window are two buttons and an alphanumeric readout. It's assumed that the player is familiar with the original, so I'll go through the various controls provided, both from the standpoint of basic functionality, and the effectiveness of DB-33's take on each aspect of the classic Hammond/Leslie sound. The DB-33 features not only a complete collection of the (fully-adjustable) knobs and sliders found on the original, but also a simulation of the separate Leslie speaker cabinet, also fully tweakable, down to overdrive characteristics and virtual mic positions. This provides a more realistic simulation, but also means that you need to be familiar with the layout and controls of the original mechanical instrument to get the most out of the plug-in. It's a modeled simulation of the original, which offers not only the sound, but also the original controls and options that you'd have if you were using the real thing. The DB-33 is Pro Tools' take on this classic instrument. The DB-33 plug-in offers the same controls and options as the real thing. The original mechanical Hammond was taken out of production in the '70s, but it was replaced by electronic simulations (from Hammond and a host of other companies), and now, in the present day, by plug-in simulations as well-that's where the DB-33 comes in. Hammond B3 (and C3) models, through Leslie speakers, provided classic organ tones on hundreds of records over the last 50–60 years. ![]() This was all run through a tube-based amp circuit, and, in the most common configuration, amplified by a Leslie cabinet with spinning speakers, to add a unique, rich three-dimensional ambience to the sound. Up to nine tonewheel-generated harmonics can be combined for each note played-a total of 91, including an extra to provide an optional percussive “plunk” at the start of each new note. The original utilized mechanical tonewheels to create the sine waves which form the basics of the additive synthesis tones that all organs use to build up a rich sound. Dating all the way back to the 1930s, it was originally intended as a replacement for the traditional pipe organ, but found its own voice in gospel, rock, and R&B music, from the '50s and '60s up through the present day. ![]() The Hammond organ is one of the classic electronic (actually electro-mechanical) instruments of the modern era.
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