Tell your healthcare provider right away if you notice any changes in your skin such as a change in the size, shape, or color of moles on your skin. You and your healthcare provider should check your skin on a regular basis. It is not known if Requip and Requip XL increase your chances of getting melanoma. People with Parkinson’s disease may have a higher chance of getting melanoma. Increased chance of skin cancer (melanoma).If you notice or your family notices that you are developing any unusual behaviors, talk to your healthcare provider. Examples of this are an unusual urge to gamble, increased sexual urges and behaviors, or an uncontrollable urge to shop, spend money, or eat. Some patients taking Requip or Requip XL get urges to behave in a way unusual for them. The doses of your anti-Parkinson’s medicine may need to be changed. Tell your healthcare provider if this happens. Requip and Requip XL may cause uncontrolled sudden movements or make such movements you already have worse or more frequent. If you have hallucinations or any of these other psychotic-like changes, talk with your healthcare provider. The chances of having hallucinations or these other psychotic-like changes are higher in people with Parkinson’s disease who are taking Requip or Requip XL or taking higher doses of these drugs. Requip and Requip XL can cause or worsen psychotic-like behavior including hallucinations (seeing or hearing things that are not real), confusion, excessive suspicion, aggressive behavior, agitation, delusional beliefs (believing things that are not real), and disorganized thinking. Hallucinations and other psychotic-like behavior.Requip and Requip XL can decrease or increase your heart rate. Changes in heart rate (decrease or increase).Requip XL may increase your blood pressure. Call your healthcare provider if you have any of the symptoms of decreased blood pressure listed above. When you change position from lying down or sitting to standing up, you should do it carefully and slowly. If you faint or feel dizzy, nauseated, or sweaty when you stand up from sitting or lying down (orthostatic hypotension), this may mean that your blood pressure is decreased. Requip and Requip XL can decrease your blood pressure (hypotension), especially when you start taking Requip or Requip XL or when your dose is changed. Tell your healthcare provider if you faint, feel dizzy, or feel light-headed. This can happen especially when you start taking Requip or Requip XL or your dose is increased. Fainting can happen, and sometimes your heart rate may be decreased. Before starting Requip or Requip XL, be sure to tell your healthcare provider if you take any medicines that make you drowsy. Tell your healthcare provider right away if this happens. Your chances of falling asleep while doing normal activities while taking Requip or Requip XL are greater if you take other medicines that cause drowsiness. You may suddenly fall asleep without being drowsy or without warning. You may fall asleep while doing normal activities such as driving a car, doing physical tasks, or using hazardous machinery while taking Requip or Requip XL. Falling asleep during normal activities.Requip and Requip XL can cause serious side effects including: What are side effects associated with Requip and Requip XL? It is not known if Requip and Requip XL are safe and effective for use in children younger than 18 years of age. Tell your healthcare provider if you are taking any other medicine containing ropinirole. You should not be taking more than 1 medicine containing ropinirole. Having one of these conditions does not mean you have or will develop the other condition. Requip XL is a long-acting prescription medicine containing ropinirole (taken 1 time a day) that is used only to treat Parkinson’s disease but not to treat RLS.It is also used to treat a condition called Restless Legs Syndrome (RLS). Requip is a short-acting prescription medicine containing ropinirole (usually taken 3 times a day) that is used to treat Parkinso's disease.
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Stainless-steel case with brushed finish, fixed tachymeter bezel in ceramic, domed and bevelled sapphire crystal with double nonreflective treatment, screw-down caseback with sapphire window and engraved limited edition number, water resistant to 100 meters TAG Heuer Caliber 02, automatic, 28,800 vph, 33 jewels, hack mechanism, quick date adjustment, column wheel, vertical clutch, eccentric fine regulator, Kif shock absorber, 80-hour power reserve, diameter = 31 mm, height = 6.95 mm, oscillating mass with special 160th anniversary engraving Hours, minutes, small seconds on white opaline subdial, date display at 12 o’clock, chronograph with black azurage subdial counters and red lacquered seconds hand La Chaux-de-Fonds, Neuchâtel, 2300 Switzerland They updated and upgraded a true icon, rising to the occasion brilliantly.”īelow are the technical details of the two timepieces, which are available at retail now: Manufacturer: “The choice of the 3147N - the in-house reference for the Carrera “Dato 45” - was a bold one because it challenged our design team to create a clean, legible chronograph dial with a date window in an unusual position. “It was fascinating - truly a privilege - to have a chance to look at all of the outstanding Carrera models when we were creating our anniversary selection,” says Catherine Eberlé-Devaux, TAG Heuer’s Heritage Director. It is equipped with a Heuer 02 manufacture movement and is limited to just 1,860 pieces. Released to commemorate the 160th anniversary of the Swiss watch brand, the new special-edition versions of the Carerra Sport Chronograph collection are available in two dial colors, blue and white. The Carrera Sport Chronograph Special Edition (above) is inspired by the 1965 “DATO-45” model (below). The historically influenced timepiece also features a date window uncommonly positioned at 12 o’ clock on the dial. Available in two options, the timepieces are inspired by the 1965 “DATO 45” which was notable as the first Heuer wrist chronograph to feature a turning date disk. Highlighting a milestone year, TAG Heuer has released the first special edition of its recently launched Carerra Sport Chronograph. 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Through contact and channel management, teams and third parties can work together efficiently, and spur-of-the-moment online meetings can be called in a matter of seconds. TeamViewer provides a number of features that support online collaboration, including screen recording for recording sessions as well as group and contact management. You can give online presentations and run audio and video teleconferences over VoIP, all of which will be high quality even with a poor internet connection. In addition to remote desktop’s applications in IT support, TeamViewer is a powerful tool for collaboration. Wake up devices in sleep mode, perform installations and initiate restarts.Assign and send files locally or via the cloud.Communicate efficiently using instant messaging, VoIP or video chat during remote support sessions or online collaboration. Use secure and comprehensive remote access, even for unattended devices.Access remote computers, Android and iOS devices, servers and POS terminals from PCs and mobile devices across all platforms.TeamViewer includes a comprehensive set of functions for remote access and more. It would be odd to introduce this hint that there is a dark side to Vesper but not deliver on the teaser, so it seems like a safe bet that she will reveal herself as the true villain of the Season Pass content. Even this title seems like a hint at some kind of big reveal, as the illusion Vesper has put up could be shattered, and so too could the concept of the glass Mirrors. If this is the case, Vesper could serve as the final boss of the fourth Mirror of Mystery, which will be named Shattering Spectreglass. While Fyodor does not seem like a good person by any means, it does not seem like he is lying when he makes these comments, so both his fear and warnings could turn out to be genuine. After these portals are made, Fyodor warns the player that they do not know “what Vesper is,” saying that the Fatemaker should be afraid of her. Throughout the entirety of Molten Mirrors, Vesper opens portals to let players move through each area. Vesper wants Fyodor to be killed, as doing so will increase her power - something that could prove to be a mistake. Currently, fans know very little about Vesper, with Gearbox describing her motives as “inscrutable.” Why the soothsayer is tasking players with clearing out the mirrors in exchange for loot has not been clear in the first two DLCs, but with the third, fans are instantly made aware that it is personal. If it works, then the other device, port, or audio jack is to blame.
Dead End: Paranormal Park is full of lovely themes about accepting yourself and living authentically and Pauline is the complete antithesis of that. We see her utter disregard for the lives of others, the lengths Pauline will go to for her own success, the last remnants of her victims psyche stuck on loop like bad animatronics in the in-between space, and eventually in the complete takeover of Norma when she offers herself as a host in a last-ditch attempt to stop Pauline. The horror of her actions come less from what we see and more from the implications of it. Pauline is obsessed with herself and her own fame an obsession that goes far beyond building an egotistical monument to her own success. Each attraction is themed after one of her films, each park announcement is narrated by her, and the park is stocked with multiple impersonators to reenact her most iconic roles. Her ego is apparent through the nature of the park itself: a tribute to herself and her career. Yet her exacting control over the park takes her perfect persona past the point of pretension, and instead it compounds her persona into something sinister. To the world, she presents the face of an untouchable starlet, somehow maintaining her perfect looks and impeccable career for decades. We’re left with only a flier declaring her missing ominously tacked on top of other missing person’s posters.Īs we see more of the park and Pauline herself, we begin to witness the inconsistencies between her public persona and the person who operates Phoenix Parks. As she enters the hall of mirrors a distorted, ghostly apparition of a similar appearance strikes out at the impersonator, and she’s gone. An impersonator dressed as Pauline is chased through the halls of the Dead End haunted house attraction at Phoenix Parks. Pauline is a suspect from the first scene of the show. As the show unravels we see just how far Pauline has gone to secure her fame and the horrors she’s committed to maintain it. There are plenty of strange and terrifying aspects of Phoenix Parks, and they all lead back to Pauline. Something is clearly amiss, but it's only as Norma and Barney learn more about the park and Pauline herself that they start to understand what's so off-putting about Phoenix Parks. Her control and influence over the park is absolute and from the catchphrase she gives the staff, “If you see anything strange, keep it to yourself, sugar” we see how simply and effectively she asserts that power. Pauline is a near mythic figure in Dead End. For most of the show we only see Pauline on screens, billboards, or as her voice gives disembodied commands over the park. She’s an extremely successful actress and entrepreneur who opened Phoenix Parks to further capitalize on her immense success. Her drag queen inspired look and quirky New York accent give her a deceptively kind and glamorous appearance but they also help to impart a sense that her persona is a performance. Pauline Phoenix is the kind of saccharine sweet, perfectly styled person that immediately sets you on edge. Preliminary Convergence sessions released today include: Featured Sessions // Friday, March 13 – Tuesday, March 17 Register for a Badge by 11:59pm CT on Friday, October 24 and save up to 30% off the walk-up rate. And the fun doesn’t stop there - major conference and band announcements to come the week of Monday, October 20 for SXSW Interactive, Film& Music, so keep your eyes peeled!ĭon’t miss your chance to dive into this special learning and networking opportunity you’ll only get at SXSW. Additional Convergence tracks still to be announced include SXSW Comedy sessions, Next Stage and Meet Ups. Many of these sessions were received through the PanelPicker proposal entry process. But wait, there’s more! We’re also psyched to share sessions for the longstanding Convergence Day on Tuesday, March 17, Featured Sessions and more. Sessions announced comprise a portion of the SXsports, Future of TV and Digital Domain tracks, curated by Interactive & Film. PLUS! New for 2015, all films screening in the “24 Beats Per Second” category will be open to Music badgeholders starting Monday, March 16. So what’s it to you? Well, the best part of Convergence programming is that ALL of these sessions, screenings and activities are open to more than one badge type, and encompass areas that are relevant and exciting to attendees from more than one of the core industry events (Interactive, Film & Music). This is all part of SXSW Convergence Programming, which exists throughout the March event, and features a range of awesome topics that straddle the cultural and technological intersection at the heart of SXSW. As promised, we’re very excited to present the first round of 2015 Convergence Programming! We’ve got over 60 sessions to share with you today, including speakers like Carolina Panthers Quarterback Cam Newton, super producer Brian Grazer, internationally bestselling author James Frey, sports media icon Rich Eisen, US Women’s National Soccer Team star Megan Rapinoe, provocateur comedian Russell Brand, YouTube star Tyler Oakley, outspoken athlete and activist Chris Kluwe and so many more! "My Way Home": "I'm on my way home, I left three days ago, but no one seems to know I'm gone."."You never know, homie, about these hoes, homie/You need to pump your brakes and drive slow, homie."."He told me don't rush to get grown, drive slow, homie."."You never know, homie, might meet some hoes, homie/You need to pump your brakes and drive slow, homie."."Gold Digger": "Now, I ain't sayin' she a gold digger, but she ain't messin' with no broke niggas."."Touch the Sky": "I gotta testify, come up in the spot lookin' extra fly, 'fore the day I die, Imma touch the sky"."Heard 'Em Say": "And I heard 'em say, nothing's ever promised tomorrow or today.".West": "Kanye, nigga-is you snorin' in my class?/ Wake up Mr. "Last Call": "This is the last call for alcohol"."Act like everything fine and if it isn't, we ain't letting everybody in our family business."."This is family business, and this is for everybody standing with us.".And if you did, then that's family business." "You tell me you ain't did it, then you ain't did it."This is family business, and this is for the family that can't be with us.".
Several theaters also sprang up during this period. Women were pervasive throughout these companies, although their efforts were often belittled, dismissed, or undervalued. This experimentation, influenced by European models, ranged from an ultra-detailed naturalism to, by the early 1920s, a wildly provocative expressionism, part of a new stagecraft. The new groups began to experiment with new forms of storytelling, acting styles, dialogue, and mise-en-scene. New forms of drama, some influenced by or parodying the new science of psychoanalysis, began to be presented in smaller venues, many converted from other uses into makeshift theatres. A wide variety of experimental groups, clubs, and settlement houses undertook to reform the theater, bringing more inwardly directed plays to a wider public audience. Continuing to react against commercialism, amateur companies began to write and produce their own works as well as new plays from Europe that had been ignored by the syndicates. In 1912, two theatre groups were formed, the Toy Theatre in Boston and the Chicago Little Theatre these events often being cited as the official start of the Little Theatre Movement in the United States. She was active in the Alice Gerstenberg Experimental Theatre Workshop in the 1950s and the Alice Gerstenberg Theatre in the 1960s, which helped to cultivate the legacy of the Little Theatre Movement of the early 20th century. Gerstenberg was also producer and president of The Playwrights' Theatre of Chicago, 1922–1945. Īlice Gerstenberg, an original member of the Chicago Little Theatre, expanded the movement to include children, founding the Chicago Junior League Theatre for Children in 1921. Maurice Browne, director and co-founder of the Chicago Little Theatre with Ellen Van Volkenburg, responding to often having been called the founder of the Little Theatre Movement, instead credited Hull House director Laura Dainty Pelham with being the "true founder of the 'American Little Theatre Movement.'" Nevertheless, Browne and Van Volkenburg's company had, as the first little theatre to use the term, provided the movement with its name and inspired the creation in 1914 of Margaret Anderson's influential Chicago periodical The Little Review. In 1910, Mary founded there the Aldis Playhouse, "a predecessor to the 'little theater' movement." The Hull House settlement theatre group, founded by Jane Addams and Ellen Gates Starr, was the first to perform several plays by Galsworthy, Ibsen, and Shaw in Chicago. and Mary Aldis established an artists' colony called The Compound in Lake Forest, Illinois. Nevertheless, by the second decade of the 20th century, pure melodrama, with its typed characters and exaggerated plots, had become the province of motion pictures.Ĭhicago philanthropists and arts patrons Arthur T. During a secret meeting in 1895, the owners of most of the theatres across America organized into a Theatrical Syndicate "to control competition and prices." This group, which included all major producers, "effectively stifled dramatic experimentation for many years" in search of greater profits. While not yet totally free of melodramatic elements, plays reflecting a style more associated with realism gradually emerged. During the last decades of the century, producers and playwrights began to create narratives dealing with social problems, albeit usually on a sensational level. These types of formulaic works could be produced over and over again in splendid halls in big cities and by touring companies in smaller ones. Sensational melodramas had entertained theatre audiences since the mid-19th century, drawing larger and larger audiences. History Conventional theater in 19th-century America 1.5 Contemporary effect of the Little Theatre Movement.1.4 Little theaters in the 1920s and 1930s.1.1 Conventional theater in 19th-century America.Internal applications, then our B2B based Bizapedia Pro API™ might be the answer for you. If you are looking for something more than a web based search utility and need to automate company and officer searches from within your WHAT'S INCLUDED IN THE ADVANCED SEARCH FORM? Utilize our advanced search form to filter the search results by Company Name, City, State, Postal Code, Filing Jurisdiction, Entity Type, Registered Agent,įile Number, Filing Status, and Business Category. While logged in and authenticated, you will not be asked to solve any complicated Recaptcha V2 challenges. In addition, all pages on Bizapedia will be served to you completely ad freeĪnd you will be granted access to view every profile in its entirety, even if the company chooses to hide the private information on their profile from the general public. Your entire office will be able to use your search subscription. |
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